Saturday, February 28, 2009

日本の音楽 Week 6: Coaltar of the Deepers

Coaltar of the Deepers is a truly unique band that doesn't particularly fit in any one genre of music. While certainly covering the bases of shoegaze, alternative and indie stylings, CotD has been known to delve into electronic and even extreme metal at times, making for an unpredictable and always exciting band to listen to.
Can't say I'm a huge fan of the lead singer's voice, but his death metal gutturals sure are awesome!


Coaltar of the Deepers - C/O/T/D


Coaltar of the Deepers - Dead by Dawn


Coaltar of the Deepers - Unlimber

Recommended albums:
  • Yukari Telepath
  • Newave
  • Come Over to the Deepend

Friday, February 27, 2009

Back in action - very, very slowly

After a few days away from Anki, RTK and all of that, I'm back into the habit of reviewing regularly. I needed the break badly, and it shouldn't take all that long to catch back up. Even so, I've not really added fresh material in weeks, and I feel like I'm mostly preserving and reinforcing what I already know rather than actually learning and acquiring new things. Can't say I'm particularly frustrated at this stagnation, as I'm quite pleased with how far I've come over the past several months and quite frankly, Japanese is having to take a back seat to more important priorities right now.

With that having been said, I'd really like to return to a 30~ new sentence a day pace as soon as I can. I'm actually strongly considering giving iKnow another chance, despite my criticism at its boring sentences and key words - I can always filter out what bores me to tears, of course! The progress I made with iKnow previously was incredible, so that'll likely be my next course of action.

Saturday, February 21, 2009

日本の音楽 Week 5: Envy


Screamo? In my ファッキング日本語? It 's more likely than you think.

Make no mistake about it, though - Envy is far from your run-of-the-mill "I just got dumped by my girlfriend of two weeks and want to kill myself" scene or image conscious, attention-whoring pop-punk "emo" facade; no sir, Envy represents something far more cerebral, personal, real. It's no wonder, then, that despite the language barrier, they've become renowned worldwide as one of the finest screamo bands on Earth.

Oh, and worth noting is that (despite their album names and song titles being in English) the vast majority of Envy's music is, in fact, in Japanese. Very poetic Japanese that you could learn a thing or two from, at that.

Envy is an emotional rollercoaster, transitioning between a gentle whisper and soft melody to an explosion of sound and screaming, often several times within one song. Credit must be given to Envy's talented singer, whose voice is incredibly versatile and well suited for any dynamic.
Once again, Envy certainly isn't a band for everyone, but don't let the "screamo" tag scare you off for one second - you may be surprised by how excellent this band is.


Envy - Scene

Recommended Albums:
  • Insomniac Doze
  • A Dead Sinking Story
  • All the Footprints You've Ever Left and the Fear Expecting Ahead

Sloooooooow week

...and another pesky backlog of cards to get around. I find that I have major trouble focusing on my SRS when I'm especially stressed, and this week has been proof of such. When I'm failing cards that would otherwise be relatively easy, and taking twice as long to review as normal, and absolutely hating the whole process, it's time to set the damn thing aside and do something else. It doesn't help that I've not added much material in several weeks, but I plan to tackle that problem in the near future.

Yeah, I'm discouraged and frustrated. On the other hand, backlog be damned, I'm still putting in the time every day to review at least 50-75 cards. Besides, Japanese really isn't my top priority right now, so I guess things could be worse.

Maybe a few days of none of this SRS bullshit would help clear my head.

Tuesday, February 17, 2009

Mono, revisited

I wasn't aware of this PV from their latest album until now. Short and sweet, beautiful in its simplicity.

Saturday, February 14, 2009

日本の音楽 Week 4: Sigh


All right, enough of the mellow stuff. This week, I present to you one of Japan's most creative, most innovative metal bands ever - Sigh. A name which can express a wide range of emotions, from relief, to disappointment, to anxiety, to ecstasy, and so on.

Sigh began as a straight-up black metal band in the early 90s, heavily inspired by the likes of Venom and Celtic Frost, and other first generation black metal bands of olde. Sigh's first album, Scorn Defeat, was released in 1993 and garnered a great deal of international attention from the black metal underground, thanks in no small part to brilliant frontman Mirai Kawashima's exceptional talent, and experimentation with keyboards - something which had never really been done in black metal, at least not in the virtuosic manner in which Mirai introduced it. In fact, the band was signed to Deathlike Silence Productions, notorious Norwegian band Mayhem's record label, shortly before and after the murder of founder and Mayhem guitarist Euronymous.


Sigh has evolved their sound over time, progressing from traditional black metal to a more avant-garde, experimental approach, with each album sounding quite different from one another (though perhaps not on a scale similar to that of Boris), but always extreme black metal in essence. The band's latest album, titled Hangman's Hymn - Musikalische Exequien, is something of a return to the band's roots, a decidedly diabolically themed album following the power hungry temptation and subsequent damnation of a poor soul, featuring the band's most bombastic, intense, dynamic sound yet along with a powerful backing orchestra and choir (in fact, most of which were courtesy of volunteers from the band's forum).

Again, it should be noted that you'll learn little Japanese from Sigh - Mirai himself is fluent in English, and as such, 99% of the band's songs are in English (he claims that Japanese just doesn't sound right in metal). Certainly not a band for everyone's tastes (nor for the faint of heart), but those with an appreciation for the extreme and the avant-garde may find Sigh to be one of the most sexy, exciting bands in Japanese music today. You can check out a huge chunk of their work on their Myspace page, because Sigh is baller like that.

Unfortunately, the following videos aren't very indicative of Sigh's more intense side (both PVs from their more chilled Gallows Gallery), but that's what their Myspace is for.


Sigh - Midnight Sun


Sigh - Messiahplan

Recommended Albums:
  • Hangman's Hymn
  • Imaginary Sonicscape
  • Scorn Defeat
  • Gallows Gallery

Friday, February 13, 2009

Truckin'

Like something of an old, run down pickup truck, I may not be making a whole lot of ground right now, but I'm making the most of it and what time I do have.

I must say, I'm a bit skeptical of whether all that passive listening of 我輩は猫である did me any real good. By my estimates, I've probably listened to a cumulative 30+ hours of this audio book so far, and I haven't really felt much benefit in doing so - in fact, the narrator began seriously grating on me a few days ago, which is probably a good sign that it's time to listen to something else. Make no mistake, I'd love to read/listen to more Natsume Souseki works, but moments after switching to KeyHoleTV I'd find myself reacting to words, phrases, even whole sentences on a very frequent basis, even through passive listening. Gee, maybe TV really has rotted out my brain after all.

Regardless, passive listening certain't can't hurt, and I'm going to keep up my listening of both Souseki and other material - variety is key, this much I can say for certain. Between classic literature (admittedly a relatively high level for what I am now), television (I tend to watch news a lot, as well as dramas), manga (aforementioned よつばと!ジョジョの奇妙な冒険Berserk - respectively very easy, easy and difficult levels), anime (空の境界カイバ), movies (I adore old Japanese movies) and various websites (Slashdot.jp, 2ch.net, blogs and so forth), I'm covering a pretty damn wide variety of material and subjects, all using dramatically different types of language. (Oh, and music as well, of course, but I really don't get a whole lot out of music language-wise - again, a topic for another day)

I'm keeping up the dictation sentences. Again, it's rough, slow going... but what I get out of it makes it so incredibly worthwhile. I haven't yet noticed that I pick up or retain vocabulary any easier, but the benefit to my kanji knowledge (which, again, is a little rusty) alone has made this method worthwhile. It's still fun, too!
I am beginning to streamline it a bit to make the process faster, though. If I know a word and its kanji really well, there's little need to jot those down, obviously (though I'll make an exception if it has radically different okurigana from what I'm used to); instead, I'll focus on each word I can't reproduce with kanji... which tends to be quite a few. Once I seriously start adding more cards again, I'll try and focus on just one key word per sentence instead.

Oh, and I finally saw Mind Game the other day at the recommendation of several RevTK folks. I was a big fan of Kemonozume back in 2006 (also directed by Masaaki Yuasa), a highly bizarre and experimental anime series on WOWOW, so I had some idea of what I was getting into with Mind Game, but I wasn't expecting it to be that good. Highly recommended. Incredibly artsy, experimental, sometimes even psychedelic without crossing the border into pretentiousness, all the while forming a cohesive, entertaining story that leaves plenty up to the viewer's imagination, with a simple, yet powerful underlying message of making the most of one's life and the many possibilities we may encounter.
Unable to sate my appetite with just Mind Game, I've begun watching Kaiba, another Masaaki Yuasa directed series which looks pretty wild so far, in a good way.

Aaaand back to Anki.